The original My Spy (2020) was a pleasant surprise. A blend of action, comedy, and heart, it stood out in the crowded family-friendly genre. The chemistry between Dave Bautista and Chloe Coleman was undeniable, and Kristen Schaal’s quirky performance added a unique flavor. Released during the pandemic, it offered a much-needed escape.
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My Spy: The Eternal City unfortunately takes a detour into unfamiliar territory. The film struggles to find its audience, leaning too heavily into adult humor for a family film while lacking the depth for a mature audience. Director Pete Segal, co-writing with returning duo Erich and Jon Hoeber, introduces more violence and shockingly crude jokes. A particular scene involving Kristen Schaal’s character is undeniably inappropriate for a family film.
The film’s tone is erratic, jumping between slapstick comedy, coming-of-age drama, action sequences, and even romantic subplots. The juxtaposition of intense moments, like a teenage boy being held at gunpoint, with lighthearted scenes feels jarring. The increased violence, particularly towards the female characters, is unnecessary.
The plot revolves around Dave Bautista’s CIA agent, JJ, attempting to enjoy a peaceful life as a stepfather to Sophie (Chloe Coleman). A school choir trip to Italy provides an unexpected opportunity for adventure when JJ becomes entangled in a dangerous mission to stop a nuclear threat.
Sophie’s character arc is underdeveloped, with a predictable love triangle involving Billy Barratt and Taeho K. Kristen Schaal’s tech-savvy Bobbi and Ken Jeong’s CIA boss return, joined by Anna Faris and Craig Robinson. However, the talented cast is underutilized due to the film’s chaotic narrative.
While Bautista and Coleman share a natural on-screen rapport, the film’s overall tone undermines their performances. The sequel’s attempt to appeal to a wider audience results in a disjointed and unsatisfying viewing experience.
Ultimately, My Spy: The Eternal City is a missed opportunity. The original film’s charm and balance are absent in this sequel. While there are moments of enjoyment, the film’s tonal inconsistencies and questionable choices overshadow its potential.
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